Break On Through
Inside an actor's brain | Fiona Shaw performs in a scanner
As part of a new exhibition on human identity, actor Fiona Shaw agreed to have her brain scanned while performing parts of TS Eliot's poem The Waste Land. Stuart Jeffries joined her at University College London
Appreciation of the art of Henry Darger is unequivocally influenced by the known facts of his life: his mother died when he was four years old after giving birth to a baby sister, whom he never saw. When he was eight years old his father, unable to continue caring for him, put him in an orphanage and died soon after. Diagnosed as a disruptive trouble-maker, he was removed to various mental insitutions until he ran away at age 16.
For the next sixty-four years, he lived a reclusive life, working as a janitor in Chicago area hospitals and going to Catholic Mass daily. Neighbors would see him going through the trash, picking out magazines and newpaper illustrations. Finally, at age 80, unable to climb the stairs to his rented room, he was moved to a nursing home and died shortly thereafter.
His landlord was cleaning out his room after his death and came across a startling discovery: alone in his room, Darger had created a beautiful and violent fantasy world, primarily embodied in a 15,000 page epic narrative, "The Story of the Vivian Girls, in What is known as the Realms of the Unreal, of the Glandeco-Angelinnian War Storm, Caused by the Child Slave Rebellion." (...)
from Sara Ayers | Henry Darger Page
Trailer for Jessica Yu's "Realms of the Unreal" about Henry Darger. Narrated by Dakota Fanning:
What words would you use to describe 1960s French pop sensation Gigi Gaston? With a growing cult discovering her through the dozens of photos, periodicals, songs and videos assembled by Josh Gosfield, some adjectives describing the chanteuse nicknamed the "Black Flower" include "sultry," "elusive," "scandalous," "murderous" and "misunderstood."
To that you must add the word "fictitious" Gigi Gaston is wholly and entirely a creation of Gosfield, an artist and designer whose exhibition at the Steven Kasher Gallery in Manhattan closes on Wednesday, November 25th after a monthlong run. Not only did he cast Gigi, shoot the period-perfect photos and created the meticulously rendered versions of the covers of actual magazine of the era along with a staggering variety of her record sleeves, he's also responsible for the putative Jean-Luc Godard film short for Gigi's haunting song "Je Suis Perdue," which is presented here for your viewing pleasure.
Sung Hwan Kim, Sung Hwan Kim and a lady from the sea, 2005, Single Channel Video, 13min, Color & Sound, Image by Paul Perry
From the Commanding Heights...
In From the Commanding Heights … , a tale of love (between an actress and a president from a past, once inhabited by a living generation of now) is told through text, film/video, and music (in collaboration with David Michael DiGregorio, a.k.a. dogr). The music itself is made with layered voice, ocarina, delay, a sampling keyboard, harmonica, kazoo, pump organ, guitar, mallets, stretched membranous materials, jae-gum (Korean cymbals) and pang-eul (Korean bells). Through this process, a vocalist might turn into a character in the story telling process; the story might turn into music in turn.
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Dear Dott. Moccia,
You will undoubtedly understand my disappointment that my film "Full Metal Jacket" has been classified so as to prevent it being viewed by young people under the age of 18. Obviously I do not regard young Italians as being substantially different in nature, character or temperament to young people in other parts of the world and it was my earnest desire that my film be an experience capable of being shared by the widest audience possible.
This is important to me because I sincerely hope that "Full Metal Jacket" will be regarded as making an important and relevant contribution to the ways in which people view their own nature.
My intention was not to relish violence for it's own sake but to emphasize the reality of both the training process undergone by the recruits and the war situation in which they found themselves. A crucial aspect of this process is the use of language to dehumanise the young men. This had to be presented in a totally truthful way otherwise I would have compromised the reality of the story.
I make no apology for taking such an approach. It is what attracted me to the project from the beginning: it's sense of uncompromising truth. "Full Metal Jacket" offers no easy moral or political answers.
I think you should know that Sweden has classified the film, 15, New Zealand has a 13 age restriction, Finland has given it a 16 age restriction, as has Germany. These ratings were applied without any cuts.
I believe that all the people should be given the opportunity to see things the way they are.
Yours sincerely,
(Signed)
Stanley Kubrick
cc: Dott.ssa Rosa Alba de Gaetano Leardi
Mr Bernard Weinreich, Warner Bros Italia
via Letters of Note | Archivio Kubrick | L'ascensore per il secondo piano
Desperate for spiritual salvation and solitude, as well as a place to dry out, he secretly retreats to Lawrence Ferlinghetti's rustic cabin in the Big Sur woods. But his plan is foiled by his own inner demons, and what ensues that summer becomes the basis for Kerouac's gritty, yet lyrically told, semi-autobiographical novel, Big Sur.
One Fast Move or I'm Gone: Kerouac's Big Sur, takes the viewer back to Ferlinghetti's cabin and to the Beat haunts of San Francisco and New York City for an unflinching, cinematic look at the compelling events the book is based on. (...)
Poet. Lover of academy and porch.
