Allen Ginsberg & Stokely Carmichael
via flickr.com
A photo of a photo found on the interior wall of the Camden Roundhouse.
via Mark Landells
A photo of a photo found on the interior wall of the Camden Roundhouse.
via Mark Landells
"They willingly traded everything they owned…They were well-built, with good bodies and handsome features…They do not bear arms and do not know them, for I showed them a sword, they took it by the edge and cut themselves out of ignorance…They have no iron…Their spears are made of cane…They would make fine servants…With fifty men we could subjugate them all and make them do whatever we want."
~ Christopher Columbus writing in his diary upon landing in Hispaniola, from A People’s History of the United States
Fuck him.
via Curate
Though the first recorded celebration of Columbus occurred in New York City 1792, during a 300th anniversary celebration of his landing in the New World, Columbus Day did not become a federal holiday until 1971, courtesy of President Richard M. Nixon. ...
National Museum of Australia Director Craddock Morton accepts a secret/sacred object from central Australia from Pamela McClusky, Curator of African and Oceanic Art, Seattle Art Museum. Photo: Lannon Harley.
Seattle Art Museum Returns Important Australian Aboriginal Secret/Sacred Object to Australia
SEATTLE, WA.- The Seattle Art Museum has decided to repatriate an important central Australian Aboriginal secret/sacred object to Australia. The return is particularly significant as it marks the first time that an American collecting institution has independently initiated the return of a secret/ sacred object to Australia. Secret/sacred objects of the type being returned are typically used in religious ceremonies by central Australian Aboriginal men. They are considered to be physical manifestations of sacred ancestral beings and as such have great spiritual power. The National Museum of Australia has been providing advice and assistance to the Seattle Art Museum and will store the object temporarily while consultations proceed regarding its final repatriation. “The National Museum of Australia is honoured to have been able to assist in this way. The Seattle Art Museum has shown great responsibility, as well as compassion and respect for Aboriginal culture, in deciding to repatriate this object. It is to be commended for its initiative and leadership,” said Craddock Morton, Director of the National Museum of Australia. According to custom, central Australian mens’ secret/sacred objects are not allowed to be viewed by uninitiated men, or women and children. Their public display is a cause of great distress to Aboriginal elders, who have been seeking their return for many years. "We appreciate The National Museum of Australia's guidance through this return process," said Maryann Jordan, Seattle Art Museum's Interim Director. "The Seattle Art Museum is one of the few places in the U.S. for Australian Aboriginal art to be seen and discussed. We have a deep respect for Aboriginal heritage and understand the importance of this object to the culture that created it. We are proud to return it to its rightful home." The Director of the National Museum of Australia’s Repatriation Program, Dr Michael Pickering, said that the object will be housed in a restricted store while the Museum consults with central Australian Elders and their representatives to determine the culturally appropriate management and return of the object.
The object was first collected in 1970, and has been in the Seattle Art Museum’s collections since 1971 but has never been publicly exhibitedvia artdaily.org
Poet. Lover of academy and porch.
